I wrote last year about positive opposition to massive redevelopment plans in New York City--citizen groups coming up with sophisticated, community-centric alternatives to proposals for neighborhood-obliterating mega sports stadiums and big box stores in NYC.
Well, 13 months later, these development controversies are still unresolved, and only more intense. The mayor and governor are lined up behind the West Side Stadium plan in Manhattan as the city's only hope (cue Princess Leia) to nab the 2012 Olympics (we've posted here, here and here about green Olympics, although as I noted here, sustainability doesn't seem to figure high in local plans for the games). In my home borough of Brooklyn, along with our own stadium juggernaut, there's an enormous redevelopment plan going forward in Williamsburg. It's much needed, but who will it ultimately serve?
Even if you don't live here, you may have heard about Williamsburg--it's been the hip zone of the moment for the past several years, with scruffy bars and cheap apartments gradually giving way to espresso bars and major rent hikes. Locals have long fought for rezoning and financial support to bring the area back from post-industrial malaise, and to reclaim the area's East River waterfront for recreation.
Along with some creative oppositional activist memetics to the onslaught of change in the nabe, there's a lot of fresh, funny, street and media-smart activism going on to keep the local community's vision paramount in Williamsburg's revitalization.
In May's Save This City issue of The Brooklyn Rail, Tom Hamm writes,
Whats new to report is not that residents of various neighborhoods are fighting back or that theyre doing so in the name of protecting their local communities from unwanted types of development. Instead, whats different about the recent protestsat least over the developer-friendly rezoning of Williamsburgis that local activists have taken the fight to the streets.
Led by groups including the Creative Industries Coalition and the Williamsburg Warriors, the various rezoning protests have merged long-standing community demands with new styles of theatrical street activism. The reason they have done so is obvious: the Bloomberg administrations Department of City Planning (DCP) has no use for the community planning process, and neither does the City Council. In tandem with developers, city officials will determine the fate of your neighborhood. In such circumstances, the only remaining option is to take to the streets. And the amazingly inventive recent protests have set important precedents for future local struggles.
The Williamsburgh Warriors web site avoids dot-com slickness in favor of dirt design and a welcome injection of humor, like this astrological activism forecast: "Warrior Siri spent 32 waking hours, many of them by the light of the Taurus moon, drafting and finalizing a revised letter to the 50 council members who will vote this Wednesday...[t]he new letter embodies Mars the warrior cutting through some of the delitescent bullshit that can be served up by Pisces."
Williamsburg Warrior Elena Levin broke down the tactics of street theatre recently for Gothamist:
Street theater works in two ways. First is, you produce your own news. A big, confusing, abstract issue like the Williamsburg one is hard to handle as a story. Street theater turns a whole mess of information into an event and turns it into a spectacle too cool looking for people to ignore.
Secondly, street theater also gets people to participate who wouldnt have been involved otherwise. How many arts collectives knew what Inclusionary Zoning was before the Williamsburg Warriors started dressing up like 70s cult flick "The Warriors" and spreading the word? Now if you walk down Bedford and ask if people know about the invasion of the skyscrapers most everyone answers "yes"...I believe in street theater.
It seems like the "cities are for traffic" era of Robert Moses is long past. These days, developer-friendly deals are no longer done deals in NYC, thanks to folks like Levin and her allies.









